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The Masterpiece (Les Rougon-Macquart #14)

Émile Zola

Paperback | Pages: 464 pages

Rating: 3.96 | 3064 Users | 207 Reviews

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Original Title:	L'Œuvre
ISBN:	0192839632 (ISBN13: 9780192839633)
Edition Language:	English
Series:	Les Rougon-Macquart #14, Les Rougon-Macquart #14
Characters:	Claude Lantier, Pierre Sandoz, Louis Dubuche, Christine Hallegrain

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The Masterpiece is the tragic story of Claude Lantier, an ambitious and talented young artist who has come from the provinces to conquer Paris but is conquered instead by the flaws of his own genius. Set in the 1860s and 1870s, it is the most autobiographical of the twenty novels in Zola's Rougon-Macquart series. It provides a unique insight into Zola's career as a writer and his relationship with Cezanne, a friend since their schooldays in Aix-en-Provence. It also presents a well-documented account of the turbulent Bohemian world in which the Impressionists came to prominence despite the conservatism of the Academy and the ridicule of the general public.

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Title	:	The Masterpiece (Les Rougon-Macquart #14)
Author	:	Émile Zola
Book Format	:	Paperback
Book Edition	:	Oxford World's Classics
Pages	:	Pages: 464 pages
Published	:	July 22nd 1999 by Oxford University Press (first published 1886)
Categories	:	Classics. Fiction. Cultural. France. European Literature. French Literature. Art. Literature. 19th Century

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Ratings: 3.96 From 3064 Users | 207 Reviews

Crit Based On Books The Masterpiece (Les Rougon-Macquart #14)

This book is a masterpiece, so to speak. It centers around the "open air" (i.e., impressionist) Claude Lantier and his struggles to create a masterpiece. The counterpoint is his depressing and tragic relationship with Christine, who ends up a near-martyr to his art. Claude is surrounded by a La Boheme-like group of artists, writers, journalists, and others--including a character based on Zola who is writing a cycle of novels like the Rougon-Macquart cycle.Zola sets out to write a naturalistic,

The Masterpiece is many things, but standing clear above its winding threads of ideas and creativity are two main pillars of meaning that serve as a testament to the importance of Zolas writing. The first is seemly arbitrary; an exploration of the bohemian lifestyle as a means to an end. Artists of various modes are the players in this story, and their successes and failures are sporadic, reflecting the uncompromising and unpredictable metropolitan backdrop of Paris. Zola tackles criticism of

I think this is one of the most depressing stories I have ever read. Like Jude the Obscure, this is the kind of story that leaves you feeling cold...almost like youve been punched in the gut...an experience akin to a kind of betrayal. The Masterpiece is truly an awful story, yet Zola somehow manages to infuse a kind of beauty into his prose that counteracts the harsh naturalistic point of view that typically dominates Zolas work. To reflect the artist Claudes internal conflicts between

Including LOeuvre (The Masterpiece), Ive so far read five of the twenty-volume Rougon-Macquart series by Emile Zola (the other four being: La Curee (The Kill), LAssommoir (The Dram Shop), Nana (Nana) and Le Ventre (The Belly of Paris)). All five are set in kaleidoscopic Paris. The period is some time during the semi-aristocratic and semi-bourgeois Second Empire epoch. I love that each of the five portrays a different and unique social and cultural aspect of the times.In the Preface, Ernest

You have this friend, a writer. Hes written this terrible bildungsroman about his tedious student exploits, I Want Vagina. You tell him tactfully that a 900-page, unspellchecked homage to sexual frustration doesnt fly in the marketplace. Your friend scurries off and signs up for a Creative Writing MA at Dorset Polytechnic, taught by Vernon D. Burns. He returns, a few months later, with a new 900-page spellchecked homage to sexual frustration, I Want to Squeeze Bosoms. You arrange for him to lose

This is a classic of the universal literature of French expression. These series had always its works translated in all the languages and that still very little time were transformed into films and series that were seen by all the world. This work is a good example of literature in the service of causes in the case of Édouard Manet's work of 1863. In defense of this reference of the Impressionists and one of the initiators of the contemporary world of art, he wrote this work, in 1886, in his

Strange how life imitates art in so many ways. When Zola wrote his artist novel, he could look back on decades of creative pain, shared with the painters of the era, and most notably with his childhood friend Paul Cézanne. Would Zola have been THE realist writer of his time if he hadn't attempted to describe the struggle of the emerging impressionist movement in at least one of his installments of the Rougon-Macquart series? Would he have been Zola if he hadn't succeeded in describing it in such