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Original Title: 千羽鶴 [Sembazuru]
ISBN: 0679762655 (ISBN13: 9780679762652)
Edition Language: English
Characters: Kikuji, Mrs. Ota, Fumiko
Setting: Japan
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Thousand Cranes Paperback | Pages: 147 pages
Rating: 3.76 | 8634 Users | 725 Reviews

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Title:Thousand Cranes
Author:Yasunari Kawabata
Book Format:Paperback
Book Edition:First Edition
Pages:Pages: 147 pages
Published:1996 by Vintage (first published 1952)
Categories:Cultural. Japan. Fiction. Asian Literature. Japanese Literature. Classics

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Nobel Prize winner Yasunari Kawabata’s Thousand Cranes is a luminous story of desire, regret, and the almost sensual nostalgia that binds the living to the dead.
 
While attending a traditional tea ceremony in the aftermath of his parents’ deaths, Kikuji encounters his father’s former mistress, Mrs. Ota. At first Kikuji is appalled by her indelicate nature, but it is not long before he succumbs to passion—a passion with tragic and unforeseen consequences, not just for the two lovers, but also for Mrs. Ota’s daughter, to whom Kikuji’s attachments soon extend. Death, jealousy, and attraction convene around the delicate art of the tea ceremony, where every gesture is imbued with profound meaning.

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Ratings: 3.76 From 8634 Users | 725 Reviews

Evaluation Regarding Books Thousand Cranes


The memory of that birthmark on Chikakos breast was concrete as a toad. The sins of the fathers is an old theme, found in the Bible, Euripides, Shakespeare, and countless other works. It's used here too in this slim book of Kawabata's but this is probably the only time it is acted out using bits of pottery, cloth and tea. True, the characters aren't exactly holding these items and making them talk. There's a sparse background on which they have plenty of room to act on the imagination.

Dont get involved with your dead fathers mistresses is the main theme of this novella. Now that both his mother and father have died, a thirtyish Japanese bachelor is having an affair with his fathers second mistress. The father had a lifelong mistress that he dumped near the end of his life to hook up with this second woman just before his death.The first mistress is bent on revenge. Since the bachelor has shown no amorous interest in her, she is devoting herself to making sure that the

"She died because of herself. If you say it was you who made her die, then it was I even more. If I have to blame anyone, it should be myself. But it only makes her death seem dirty, when we start feeling responsible and having regrets. Regrets and second thoughts only make the burden heavier for the one who has died." (50)This is the third novel that I read by Kawabata, and the best so far. Beauty and Sadness and The Sound of the Mountain were good but not spectacularthey didn't do much for me

Like the slow blooming of a lotus flower, Kawabatas decorous and delicate prose unravels and unfurls itself, exuding a fragrance of melancholy, mellifluous and harmonious, like the tea ceremony which plays such a central role in the story, whose every movement and step is imbued with an inner meaning. However the outer poise and calm belies the bubbling of emotions which are shimmering on the surface of the novel, feelings of violence and revenge, of lust and jealousy which lie beneath the

Upon reaching the final pages I was less convinced that this is a story about the complicated relationship between a young man and his late fathers former lovers than a surprisingly moving consideration of the permanence of thingsobjects, rituals, social mores, even inherited traumasthat long outlast any individual human life. How minor the little melodramatic interpersonal dramas of this novel must appear from the perspective of a 300+ year old tea bowl that has passed through countless hands

Thousand Cranes offers a compelling study on the interplay of tatemae (the public face that one puts on for propriety's sake) and honne (one's true feelings and desires), as well as on the present's constant struggle against the constraints of the past. The novel is very much about the quiet tempests raging underneath the seemingly peaceful and polite surface of a propriety-obsessed society. The intricacies of the characters' relationships are presented with the grace and extreme subtlety of