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Original Title: Raymond Carver: Collected Stories
ISBN: 1598530461 (ISBN13: 9781598530469)
Edition Language: English URL https://www.loa.org/books/307-collected-stories
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Collected Stories Hardcover | Pages: 1017 pages
Rating: 4.59 | 1753 Users | 118 Reviews

Present Of Books Collected Stories

Title:Collected Stories
Author:Raymond Carver
Book Format:Hardcover
Book Edition:First Edition
Pages:Pages: 1017 pages
Published:2009 by Library of America (first published 1985)
Categories:Short Stories. Fiction. Literature. Classics. American

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Raymond Carver’s spare dramas of loneliness, despair, and troubled relationships breathed new life into the American short story of the 1970s and ’80s. In collections such as Will You Please Be Quiet, Please? and What We Talk About When We Talk About Love, Carver wrote with unflinching exactness about men and women enduring lives on the knife-edge of poverty and other deprivations. Beneath his pared-down surfaces run disturbing, violent undercurrents. Suggestive rather than explicit, and seeming all the more powerful for what is left unsaid, Carver’s stories were held up as exemplars of a new school in American fiction known as minimalism or “dirty realism,” a movement whose wide influence continues to this day. Carver’s stories were brilliant in their detachment and use of the oblique, ambiguous gesture, yet there were signs of a different sort of sensibility at work. In books such as Cathedral and the later tales included in the collected stories volume Where I’m Calling From, Carver revealed himself to be a more expansive writer than in the earlier published books, displaying Chekhovian sympathies toward his characters and relying less on elliptical effects. In gathering all of Carver’s stories, including early sketches and posthumously discovered works, The Library of America’s Collected Stories provides a comprehensive overview of Carver’s career as we have come to know it: the promise of Will You Please Be Quiet, Please? and the breakthrough of What We Talk About, on through the departures taken in Cathedral and the pathos of the late stories. But it also prompts a fresh consideration of Carver by presenting Beginners, an edition of the manuscript of What We Talk About When We Talk About Love that Carver submitted to Gordon Lish, his editor and a crucial influence on his development. Lish’s editing was so extensive that at one point Carver wrote him an anguished letter asking him not to publish the book; now, for the first time, readers can read both the manuscript and published versions of the collection that established Carver as a major American writer. Offering a fascinating window into the complex, fraught relationship between writer and editor, Beginners expands our sense of Carver and is essential reading for anyone who cares about his achievement. Contents-- What We Talk About When We Talk About Love Why Don’t You Dance? Viewfinder Mr. Coffee and Mr. Fixit Gazebo I Could See the Smallest Things Sacks The Bath Tell the Women We’re Going After the Denim So Much Water So Close to Home The Third Thing That Killed My Father Off A Serious Talk The Calm Popular Mechanics Everything Stuck to Him What We Talk About When We Talk About Love One More Thing Stories from Fires The Lie The Cabin Harry’s Death The Pheasant Cathedral Feathers Chef’s House Preservation The Compartment A Small, Good Thing Vitamins Careful Where I’m Calling From The Train Fever The Bridle Cathedral From Where I’m Calling From Boxes Whoever Was Using This Bed Intimacy Menudo Elephant Blackbird Pie Errand Other Fiction The Hair The Aficionados Poseidon and Company Bright Red Apples From The Augustine Notebooks Kindling What Would You Like to See? Dreams Vandals Call If You Need Me Selected Essays My Father’s Life On Writing Fires Author’s Note to Where I’m Calling From Beginners (The Manuscript Version of What We Talk About When We Talk About Love) Why Don’t You Dance? Viewfinder Where Is Everyone? Gazebo Want to See Something? The Fling A Small, Good Thing Tell the Women We’re Going If It Please You So Much Water So Close to Home Dummy Pie The Calm Mine Distance Beginners One More Thing --loa.org

Rating Of Books Collected Stories
Ratings: 4.59 From 1753 Users | 118 Reviews

Criticize Of Books Collected Stories
It's a bit hard to review this since it's really all unconnected stories but I really liked some and didn't care for others. I might check out more Raymond Carver in the future but I'm not sure yet.

I first came across Raymond Carver when I began to study creative writing with the Open University. I was recommended to revisit some of his short stories having not fully understood the relevance of them the first time. The usefulness of this collection is that it contains just about every short story that Carver ever published, and is a compilation of other, smaller collections.The four stories I was recommended to read are: 'Neighbors', 'Why Don't You Dance?', 'A Small, Good Thing', and

I knew this was going to be a 5-star book before I read it. I had already read and loved many of the stories collected here. I assumed I would love the stories that were new to me just as much. I did. I can now say that I have read every short story by Raymond Carver and I have loved each one. The main attraction of this book is the inclusion of the manuscript form of Carver's most well-known book, "What We Talk About When We Talk About Love". We can see the stories as Carver wrote them and

I highly recommend this book.1- the stories are great. 2- this book is especially good for anyone that is interested in writing and editing! It will be very fascinating to compare the original manuscripts of the stories (e.g. Beginners) with the edited versions (e.g. What We Talk About When We Talk About Love). The difference is rather huge because Carvers editor, Gordon Lish, deleted so extensively that sometimes less than half of the writing was left. Lish liked the bleakness, loneliness and

I'm a fan of horror stories. I'm also a fan of literary short fiction though I must admit to rarely being able to figure out what I'm supposed to glean from most stories of this kind. I reckon it's like someone who enjoys crossword puzzles or word games, the joy of decoding the secret meaning. About two years ago, I came across Ray Carver, his name meaning nothing to me up to that point. The more I read about him, the more intrigued I became. Here was a guy that was considered literary, but

This is a beautiful and comprehensive collection of Raymond Carver's writing. I love that it includes the original manuscript for What We Talk About When We Talk About Love, originally called Beginners. It's interesting to see the heavy hand of his editor, Gordon Lish, who was the man behind Carver's trademark minimalism. Some people prefer Carver's longer version, but I actually think the edits, though dramatic, make the stories more powerful, more mysterious. You can't read this book all in

I consider myself a self-professed literary (redundant) type of person having (to invoke Twain) "read me" a book or two; however, I only recently--by sheer fortunate happenstance (thanks to my wife)--stumbled upon this Collected Stories of Raymond Carver. In a moment of self-deprecation I must confess to never having heard of him before--having undoubtedly been somewhat morbidly preoccupied with other things during the 1970's-1980's when Carver apparently was making the literary rounds.These