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Dying Inside
I found this book intensely disappointing. I'm usually very impressed with Silverberg's work, but here he seemed to be channelling the same vein of zeitgeist that gave us Portnoy's Complaint and other laments of the middle-aged white/Jewish guy whose dick doesn't rise as quickly in his forties as it did in his teens. The premise is excellent: a guy who's been a telepath all his life, mostly secretly, finds that his powers are fading and has to cope with the loss of his superpower and the
Sometimes it's difficult to separate form from content. This is a well written book that explores a good concept - the downside of being able to read the minds of others - thoroughly. It's soft sf, content to explore the psychological and social ramifications of the gift/curse without providing explanation of how David Selig came into possession of it. In short, right up my alley. So why the lukewarm rating? For starters, I found the book fairly dated. I have read my share of timeless SF, but
A Goodreads friend recently asked if Silverberg lacked the matinee firepower of Heinlein or Asimov because he had no masterwork, no centerpiece to which critics could point, no one work that served as an identity. Silverberg, Grandmaster though he is, lacks a Stranger in a Strange Land or Foundation or Dune.I submit here, to the court of science fiction literature, that Dying Inside is such a work.Dying Inside is Silverbergs 1972 science fiction / fantasy classic about telepathy and so much
Although author Robert Silverberg had come out with no fewer than 21 major science-fiction novels between the years 1967 and '71, by 1972, his formerly unstoppable output was beginning to slow down. He released only two novels in '72, "The Book of Skulls," in which four young men seek the secret of immortality in the desert Southwest, and one of his most renowned, "Dying Inside." After this latter work, there would be no full-length works until 1975's "The Stochastic Man" and 1976's "Shadrach in
A Goodreads friend recently asked if Silverberg lacked the matinee firepower of Heinlein or Asimov because he had no masterwork, no centerpiece to which critics could point, no one work that served as an identity. Silverberg, Grandmaster though he is, lacks a Stranger in a Strange Land or Foundation or Dune.I submit here, to the court of science fiction literature, that Dying Inside is such a work.Dying Inside is Silverbergs 1972 science fiction / fantasy classic about telepathy and so much
Strangely enough, I found this one a real treat to read. It might have something to do with the fact that I read A Time of Changes, The World Inside, and it all within the same day, somewhat in spirit of how damn quick Silverberg wrote these great classics. :)And because I read them all back to back, I found that being this familiar with the artist's text made al three books flow like water, common themes kissing intimately and oh so sexually. Like connection. Basic human connection. The first
Robert Silverberg
Paperback | Pages: 256 pages Rating: 3.84 | 5339 Users | 416 Reviews
Define Based On Books Dying Inside
Title | : | Dying Inside |
Author | : | Robert Silverberg |
Book Format | : | Paperback |
Book Edition | : | Special Edition |
Pages | : | Pages: 256 pages |
Published | : | March 1st 2002 by iBooks (first published October 1972) |
Categories | : | Science Fiction. Fiction |
Representaion During Books Dying Inside
David Selig was born with an awesome power -- the ability to look deep into the human heart, to probe the darkest truths hidden in the secret recesses of the soul. With reckless abandon, he used his talent in the pursuit of pleasure. Then, one day, his power began to die... Universally acclaimed as Robert Silverberg's masterwork, Dying Inside is a vivid, harrowing portrait of a man who squandered a remarkable gift, of a superman who had to learn what it was to be human.Itemize Books As Dying Inside
Original Title: | Dying Inside |
ISBN: | 0743435087 (ISBN13: 9780743435086) |
Edition Language: | English |
Characters: | David Selig |
Literary Awards: | Hugo Award Nominee for Best Novel (1973), Nebula Award Nominee for Novel (1972), Locus Award Nominee for Best SF Novel (1973), Ditmar Award Nominee for Best International Long Fiction (1973) |
Rating Based On Books Dying Inside
Ratings: 3.84 From 5339 Users | 416 ReviewsCriticism Based On Books Dying Inside
This is soft SF novel, which was nominated for Hugo, Nebula and Locus Awards. I read as a part of Buddy reads in Hugo & Nebula Awards: Best Novels The story is about David Selig, a telepath living in the 70s in New York. He is a pathetic character, self-eating for the fact that he has the gift for telepathy, so he is like a peeping tom and for the fact that his gift is waning. The story is written as an internal monologue with breaking of the fourth wall, - the protagonist often uses wordI found this book intensely disappointing. I'm usually very impressed with Silverberg's work, but here he seemed to be channelling the same vein of zeitgeist that gave us Portnoy's Complaint and other laments of the middle-aged white/Jewish guy whose dick doesn't rise as quickly in his forties as it did in his teens. The premise is excellent: a guy who's been a telepath all his life, mostly secretly, finds that his powers are fading and has to cope with the loss of his superpower and the
Sometimes it's difficult to separate form from content. This is a well written book that explores a good concept - the downside of being able to read the minds of others - thoroughly. It's soft sf, content to explore the psychological and social ramifications of the gift/curse without providing explanation of how David Selig came into possession of it. In short, right up my alley. So why the lukewarm rating? For starters, I found the book fairly dated. I have read my share of timeless SF, but
A Goodreads friend recently asked if Silverberg lacked the matinee firepower of Heinlein or Asimov because he had no masterwork, no centerpiece to which critics could point, no one work that served as an identity. Silverberg, Grandmaster though he is, lacks a Stranger in a Strange Land or Foundation or Dune.I submit here, to the court of science fiction literature, that Dying Inside is such a work.Dying Inside is Silverbergs 1972 science fiction / fantasy classic about telepathy and so much
Although author Robert Silverberg had come out with no fewer than 21 major science-fiction novels between the years 1967 and '71, by 1972, his formerly unstoppable output was beginning to slow down. He released only two novels in '72, "The Book of Skulls," in which four young men seek the secret of immortality in the desert Southwest, and one of his most renowned, "Dying Inside." After this latter work, there would be no full-length works until 1975's "The Stochastic Man" and 1976's "Shadrach in
A Goodreads friend recently asked if Silverberg lacked the matinee firepower of Heinlein or Asimov because he had no masterwork, no centerpiece to which critics could point, no one work that served as an identity. Silverberg, Grandmaster though he is, lacks a Stranger in a Strange Land or Foundation or Dune.I submit here, to the court of science fiction literature, that Dying Inside is such a work.Dying Inside is Silverbergs 1972 science fiction / fantasy classic about telepathy and so much
Strangely enough, I found this one a real treat to read. It might have something to do with the fact that I read A Time of Changes, The World Inside, and it all within the same day, somewhat in spirit of how damn quick Silverberg wrote these great classics. :)And because I read them all back to back, I found that being this familiar with the artist's text made al three books flow like water, common themes kissing intimately and oh so sexually. Like connection. Basic human connection. The first
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